For me, the greatest communication challenge that I encountered while working on my film happened during the prep phase, where I was still scrambling to raise funds and cast my leads. This was my first feature and a lot of people just weren’t sure of me yet. And short of surgically implanting someone into my head, it was nearly impossible to convey to them how the film was going to feel different than just what they could read on the page. I knew from the onset that I wanted to make a stylized film and you can obviously show people a million images of things that inspire you or are in the vein of what you’re going for but the actual result of what you’re trying to do doesn’t really exist yet, so it can be very difficult to explain.
- The Story of Ferguson through the Eyes of the People Who Lived it
- “Communication Is Where a Film Lives and Dies”: Director Zoe Lister-Jones
- Profound Communication Only Happens When There Is Persistence
- “A Huge Historical Project”: Editor Kim Miille on Tell Them We Are Rising
- “The Challenge Is Balancing Tone”: Director Mark Pellington